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The Throat
Doctor: Vocal Function Exercises
Françoise P. Chagnon and Ruth Gesser
February 1, 1998
Vocal
sound originates from a complex and dynamic interaction of various muscles
throughout the body, and voice professionals may not be aware of the association
between physical fitness and vocal health. The benefits of an exercise program
are manifold: increased cardio-respiratory endurance, muscular strength,
flexibility, and muscular coordination. A variety of exercises have been
designed for vocal performers and singers. Attention should be given to posture
alignment as well as to neck, shoulder, breathing and jaw exercises before
focusing on the vocal muscles. A general exercise program, emphasizing endurance
and flexibility, raises awareness of sites of muscular tension, maximizes
airflow for breathing, and leads to a more efficient use of energy during
speaking and singing.
The words "vocal function exercises" refer
to a series of exercises designed to strengthen the laryngeal musculature and to
balance airflow, muscular activity and supraglottic placement of tone. The
series incorporates the principles of exercise physiology, e.g. it contains both
isometric (static) and isotonic (dynamic) exercises.
Vocal function exercises consist of four
steps :
1. Warm-up. Sustain /i/ as long as
possible on a comfortable note.
2. Stretching. Glide from the
lowest to the highest note in the frequency range, using /o/.
3. Contraction. Glide from the
highest to the lowest note in the frequency range, again using /o/.
4. Adductory Power Exercises.
Sustain the notes C, D, E, F, and G (still using /o/) as long as possible.
Middle C for females, one octave below for males.
The exercises should be done twice in a
row, as softly as possible, with easy onset and forward placement of tone. The
optimum frequency is 5-6 times per week, with a 6-8 week program providing the
greatest physiological improvement.
Regular, short periods of exercising are
preferable to occasional long sessions. Although these exercises are designed to
maintain a healthy voice and prevent problems, they should never be seen as a
substitute for voice therapy. You should seek professional advice before
starting on a vocal exercise program, especially in the presence of throat
discomfort or a change in voice quality.
For further information regarding vocal
function exercises, read "The Value of Vocal Function Exercises in the Practice
Regimen of Singers", by Juliana Wrycza Sabol, Linda Lee and Joseph C. Stemple in
the Journal of Voice, Volume 9, Number 1, 1995, pp. 27–36.
Ruth Gesser is the Speech Language Pathologist at the Montreal General
Hospital
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